behind the scenes, No, it’s not like really being there. She has recently had solo exhibitions at T293 Gallery, Naples, Italy, in 2010, and Johann König, Berlin, Germany, earlier this year. Description; Identifier: 1991 OH 012 ; Date: 10/19/1990 ; Interviewer: Philpot, Edmond ; Interviewee: Martin, Helen ; Description: Martin discusses life during the Depression. Johanna Hedva Well, I’m a goth, so I’m partial to the ones who speak of death as the totalising divine. I feel a mutual devotion and disgust to all of these categories, but one fundamentally powered by an obsession with their abundantly shared incongruities. If you were to conceptualise the impulses of this book, one way might be to imagine language and plot like furious animated heads engaged in the continual process of trying to drown one another, surfacing and drowning on terrible repeat. . Helen Marten, The Boiled in Between, 2020, book cover. While you were writing, did you think first of language or plot? fashion, PANTS: MARTEN’S OWN. Who are they? Helen Marten uses sculpture, screen printing and her own writing to produce installations that are full of references, from the contemporary to the historical, and the everyday to the enigmatic. I was born on 10th June 1912 in Presov. Not like walking around it. She studied at the University of Guelph and Emily Carr University. . Or to mend and shrug off the blood in continuation. As the story progresses, these areas seem to meld. HM: I sat at a desk every day for about a year and when things didn’t pour out, I opened other books and used their words like lakes to swim in. Culture is not Cancelled: Creatives Share Their Inspiration. We explore the path of … Imagine people as points of civic ordinance all mostly existing within an envelope structure of ethical morality. Photography: Robert Glowacki. And stupid images can be absolute. Jahrhundert. A screening of her new film Dust and Piranhas was presented at the Serpentine Pavilion, London, in September as part of the gallery’s ‘Park Nights’ series. fineartmultiple ™ Lesen Sie die neuesten Sammler-Interviews Perhaps he is also something of a clown who rejects the morose logician, who rejects the idea that the rigid alternatives of ‘true’ and ‘false’ are relevant to the pursuit of knowledge, to life or death, or the philosophical wormhole of trying to understand a binary action with a binary answer! In her emails, she gave small glimpses into her life there, with anecdotes about her morning walks and the animals she observed, including ‘something long and red, low to the ground, like a hairy frankfurter with legs’. Helen Mirren has said that she “got the s***” for her infamous 1975 interview with Michael Parkinson, and that the talk show host “never could quite grasp” what he did wrong. HM: It will sound maddening, but I try to think with whatever the ambient tone for the day is! While the materials in Marten’s sculptures may look found, they are almost entirely created from scratch by the artist. Artist Helen Marten, who also appears in this issue’s portfolio of London artists, spoke with Wolfson about his videos and what he’s trying to achieve somewhere in the flurry of it all.-Christopher Bollen. The novel puts into forefront a myriad of vital questions relevant for all who tend to delve deeper into matters of both life and language. Illustrations by Isabelle Albuquerque. Take the disarming mutant vacation sculpture No juice about it (2011): The piece consists of a grid of bamboo fencing, which is actually made of steel, on which a patchwork quilt and a lei are strung, and in front of which a clay-looking pineapple, actually fashioned from cast aluminum, is coyly humanized by wearing a pair of Oakley sunglasses. Helen Marten wins Turner Prize | Helen Marten has been awarded this year’s Turner Prize, overcoming stiff competition in what many critics judged to be the award’s strongest shortlist in years. Liebe Frau Querfurth, liebe Frau van Volxem, ich danke Ihnen – auch im Namen der Leser – von Herzn für dieses interessante Interview und den Einblick in Ihre Arbeit. Helena Marten - ein Pseudonym des sich neu zusammengefundenen Autorinnen-Duos Bettina Querfurth und Susanne van Volxem - schreibt mit Die Porzellanmalerin über den Kampf um das weiße Gold in Deutschland im 18. –Helen Marten. These portmanteaus and locutionary couplings stimulate the mind’s tongue. Interview with Helen Martin. The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, an ambitious literary work full of beauty and sorrow. And stupid images can be absolute. MG: Contrary to your other characters, which appear to be embroiled in the mess – implicated – The Messrs. sit above the story, looking down. – suddenly figuration is in everything so profoundly and intractably. THE SUMMER HELEN MARTEN MET HAIM STEINBACH was the summer the cicadas returned to New York, emerging from a seventeen-year slumber deep inside the earth. The insects, spawning in the millions, sing loudly and die quickly. “I suppose I’m trying to upset the expected rhythms of daily circumstance,” she says, “exploring what it means to be a tribal human preoccupied with the status of toothpaste, the floppiness of pasta, eroticism of rubbish, or tedium of hair.”. Marten’s pieces have roved from incorporating wall paper to cell phones, industrial hardware, neon light, and, of course, animation-perhaps the ultimate art form for the convergence of the unreal with the almost human. Interview. MG: The linguistic rhythm of the book is like dreamwork: the words are soft and elegant, distorting the frictions and unpleasantness experienced by the protagonists. Not like walking around it. Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. London (dpa) - Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. London. I do believe that provisional absurdities can provide deeply profound interpretation. Helen Marten is having quite a year and, indeed, quite a career. Review: Helen Marten’s debut novel The Boiled in Between. MG: On page 104, you write: ‘Ethan held a pistol once and felt how irrelevant true or false was in the pursuit of knowledge.’ Why is that so? Art, In some ways, it is more code than text—the gender has been stripped out, and with that, a sense of the weight.” There is a startling weightlessness to much of Marten’s work, including her highly packed amalgams of objects, which seem neither improvisatory and unintentional nor permanent. COAT: EMPORIO ARMANI. HM: This links quite specifically to your first question – to positions of precarity. Helen Marten is having a tremendous year, full of top prizes and successful solo shows. Atoms that collide at speed tend towards transformation, and how exciting is that?! The Making of Helen Marten // Feature // 18.10.2013 // Agnieszka Gratza // Getting an interview with the highly sought-after London-based artist Helen Marten is no mean feat. To trip up is to notice something. SWEATSHIRT: TOPSHOP. I wanted to brutally twist that, not make a space of indeterminate collage, but really wring material process, image digestion and language intent into something else. Think how quickly something monkish becomes pornographic by association. Perhaps they might even be akin to chemical stimulant, something like the way caffeine rips you out of yourself and carries your pulse off darting in thousands of angles of pursuit and commitment! Ihre Geschichte wird dabei von einer fiktiven Frauen-Person in Hosenrolle quasi als roter Faden durch den Roman getragen. Her first solo show in Britain was in 2012, at the Chisenhale in London, the seeding ground of bright young artists. Georges … They’re all like their own micro-surfaces that give and receive, are improvised, unmoored. Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. Jasmine Reimer is an artist and writer living and working in Berlin and Toronto. Ilona “Helen” Martin Interview from 1999. SWEATSHIRT: TOPSHOP. Courtesy Sming Sming Books. Then equip them with libidinal language and an ongoing system of wounding (poverty, illness, violence, etc.) Helen Marten bolsters her paintings with sculptural elements while her sculptures look like paintings. Folge sprachen wir mit den Hauptdarstellern über Parkplatzsex, Schubladendenken und die in 2016 verstorbene Maja Maranow. It was a deeply pleasurable process of translation, bouncing back and forth between all the things I might claim to know about image and all those I might claim to know about language. To be off-balance or ever, HM: It will sound maddening, but I try to think. PHOTO: HELEN MARTEN IN LONDON, OCTOBER 2012. It seems that everyone wants a piece of her these days. ‘The world is impossibly fat and full of information. I suppose they are something of all people – an audience, constructed always and forever by whomever and whenever, by time and spirit. Marten’s film Evian Disease plays until July 2013 at the Palais de Tokyo in Paris. Entdecken Sie Helen Marten auf fineartmultiple: Biografie, Ausstellungen und derzeit zum Verkauf stehende Kunstwerke. In 2011, she was awarded the Prix Lafayette and in 2012 the Prix LUMA. Evian Disease, with its hyper-real imagistic juxtapositions of nature and commodity inhabiting a flattened plane, “reeks of dishonesty,” according to the artist. Mazzy-Mae Green: In The Boiled in Between, you read the absurdities of humanity in flecks of dislodged earth and dirt-gashed shirts. To fall down is to forcefully reconnect, get damaged or break. No, it’s not like really being there. Combining sculpture, text and screen-printed paintings, Marten’s practice comprises images and objects, often playing with two and three-dimensionality. “I’m Not an Assassin!”: Fran Lebowitz on Not Sleeping, Not Writing, and Not Naming Names, Elizabeth Olsen and Paul Bettany Test Their Real-Life Chemistry, Why We Could All Use a Tavi Gevinson Podcast Right About Now, Everyone, Including Fran Lebowitz, Loves Dolly Parton, Kyle Ng of Brain Dead Wants to Connect the World. “There is nothing to touch, no smell, just this weird rubbery shell that at the same time is both materially dead and data-osmotic. Copyright © 2021 Interview Magazine. interview, Berlin - Starke Quote für «Ein starkes Team»: Der ZDF-Krimi hat am Samstagabend ab 20.15 Uhr der Konkurrenz keine Chance Clunkiness only forces the viewer to negotiate her pileups more carefully pornographic by.! To your first question – to positions of precarity it seems that everyone wants a piece her! 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